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A Death in Brazil: A Book of Omissions, by Peter Robb
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Deliciously sensuous and fascinating, Robb renders in vivid detail the intoxicating pleasures of Brazil’s food, music, literature, and landscape as he travels not only cross country but also back in time—from the days of slavery to modern day political intrigue and murder. Spellbinding and revelatory, Peter Robb paints a multi-layered portrait of Brazil as a country of intoxicating and passionate extremes.
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Product details
Series: John MacRae Books
Paperback: 352 pages
Publisher: Picador; Reprint edition (May 1, 2004)
Language: English
ISBN-10: 0312424876
ISBN-13: 978-0312424879
Product Dimensions:
5.8 x 0.9 x 8.3 inches
Shipping Weight: 11.4 ounces
Average Customer Review:
4.1 out of 5 stars
36 customer reviews
Amazon Best Sellers Rank:
#1,283,122 in Books (See Top 100 in Books)
Is A Death in Brazil a life-changing book? No, but I see how it could be for some people.Don't get me wrong; this is a great book. But what keeps it out of the highest echelon of travel memoirs is its lack of a personal touch. A Death in Brazil is more history lesson than story, with Robb himself little more than a fringe observer to the anarchy and chaos of this nation. If you're looking for another tale of sex, sleaze and self-discovery, this book isn't it. If you're looking for a twisting and gripping novelization of Brazilian history and culture, A Death in Brazil is a great read.And to his credit, Robb knows Brazil. Starting with the Indian cultures that inhabited the country before the Europeans landed, Robb analyzes the circumstances that make the place unique. What separates Brazil from the U.S. and Canada--and indeed, the rest of Latin America--is its racially fluid and sexually charged culture. Where the color lines are policed heavily in America and Canada, Brazilians slept with each other with enough abandon--whites with blacks, blacks with Indians, Indians with whites--to create a sort of egalitarianism that persists in the face of the country's class inequality.While at times difficult to follow, as Robb buries the reader in an avalanche of dates and names, A Death in Brazil is never laborious to read thanks to his writing style. His prose is calm, collected and powerful, like waves crashing against the beach on a hot day. Robb also expertly conveys the violence and lust of Brazilian society through his accounts of events such as the War of Canudos, a civil war that occurred in the late 19th century between the government and monarchists in the northeast resistant to the changes the elite was foisting on them.The one element of Brazilian culture and society that Robb conveys in the book that stuck out to me--though he himself might be unaware of it--is Brazilians' desire to belong. Since independence in the early 19th century, Brazil's elite has desperately wanted the country to be considered part of the West, to be on par with America and the nations of Europe. Robb writes extensively on how this desire to belong led to a massive upheaval in Brazilian society in the late 1800′s: the country abolished its monarchy and became a republic, ended slavery (the last nation in the Western Hemisphere to do so) and disavowed its genuinely multiracial heritage in line with pro-white eugenics beliefs. This caused a massive rift between the wealthier, whiter southeastern portion of the country and the northeastern part, which is poorer and blacker. Among nations, Brazil has always been the equivalent of the little kid who desperately tries to emulate his cooler big brother and never succeeds.This constant longing, to the point where Brazilians will upend everything to fit in, extends all the way to the present day. The true protagonist of A Death in Brazil isn't Robb himself, but Luiz Inácio Lula da Silva, whose rise from poor laborer in the northeast to Brazil's presidency forms the book's story arc. Even if you're not a leftist, reading about Lula's struggles and triumphs against the military and his political opponents will make you want to cheer. Nonetheless, with Lula's election to the presidency in 2003, Robb is oddly optimistic. My view? Given that the West is in the throes of an ideology that denigrates whiteness and masculinity, it's not surprising that the Brazilian elite would try to fit in by electing a brown leftist as their leader. It also explains why Lula's successor as president, Dilma Rousseff, has gone completely ovaries-to-the-wall in insane feminist reforms.Like I said before, Robb's relative absence from A Death in Brazil's story and action knocks the book down several pegs. While he shares anecdotes of his experiences and observations from time to time, he's never involved in the action itself, constantly remaining on the outside looking in. While he's skilled at turning what could have been a boring history lesson into a thrilling and dramatic tale, the lack of his presence in the book makes it less interesting than it otherwise would have been.Aside from this, A Death in Brazil is a grand and epic achievement, a must-read for anyone interested in Brazil as a country or just looking for an intriguing true crime-type story.
Engaging, entertaining and sometimes hilarious back-stories of Brazilian history. The author, a journalist, uses a feature-story style to the Brazilian story, from pre-history to Lula's election in 2003. Easy to absorb, this overview of Brazilian history and culture gave me the grounding I needed before my first trip to Brazil. And don't let the author's magazine-story style fool you. He's done his homework and his research. The characters, including presidents and kings, soccer stars and generals, really existed and howevercrazy their soap-opera antics may sound, this is Brazil. A really good introduction to this society, it's history, it's people and it's culture. Highly recommended if you're going to Brazil, and like me, prefer not to read history in a textbook.
Peter Robb's "A Death in Brazil" defies classification. The narrative flows easily back and forth between the author's personal experiences and the greater context of Brazil's history. Those looking for travel and culture will find exquisite descriptions of food, architecture, and the sensuality for which Brazil is known. Historians will enjoy his digressions into the little-known world of Brazil's dry northeastern highlands, populated by bandits, the landless poor, and the descendants of an escaped slave community that once numbered almost 30,000. Finally, if the book can be said to focus on any one story, it is that of a provincial political family's descent into scandal after the accession to the presidency of Fernando Collor in 1989. Robb deftly weaves together the threads of this tale, building it gradually from an election-finance fraud into a dramatic conclusion worthy of Shakesperean tragedy - or a modern-day telenovela.That said, while the reader can happily get lost in Robb's descriptions of Brazilian life, those looking for a simple plot and a satisfying conclusion will be disappointed. At times, anecdotes are thrown in with hardly any context and then forgotten, and at times the political scandals involve so many characters that I considered taking notes. Academics will also be disappointed by the absence of sufficient citations for the multitude of quotes used by the author, which appear in inexplicable and confusing italics instead of within quotation marks. While the story of the Collor family and their associates is more or less ended, many other tales - including the author's own brush with death which opens the book - are left frustratingly behind. Then again, the subtitle is "A Book of Omissions."All in all, highly recommended.
I am generally a fan of Peter Robb. But I found this book too unstructured. The anecdotes of daily life in the history of Brazil's development were of themselves interesting and well written, as always, but I wasn't sure what they added up to. Clearly the theme was extreme corruption and racism but I didn't have any sense at the end of the day of the 'patterns' of how that corruption developed. Perhaps that's the job of the historian rather than documentary novelist, which is how I see Peter's work : dealing in historical facts but with a narrative joining them. The narrative does not depart into the realms of historical fiction - that's not his genre - but must constitute an organising framework. I think that framework was missing this time.
As someone who has spent a few months in the Northeast of Brazil looking for more history and perspective, I really enjoyed this book. Mr. Robb does a wonderful job telling both the early history as well as the recent political drama objectively yet personally. A great place to start if you're looking to understand one of the world's most interesting countries and regions.
Such a urbanely written and informative book. Great resource.
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