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, by Michael Frayn
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Product details
File Size: 3324 KB
Print Length: 145 pages
Publisher: Anchor (July 22, 2010)
Publication Date: August 4, 2010
Sold by: Random House LLC
Language: English
ASIN: B003E8AK8C
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First, I think this book would benefit most by an update by the author that discussed the letter from Bohr which clearly implicated Heisenberg as attempting to develop a Nazi bomb and sought Bohr's aid, a letter that was released only a few years after the play was written.The play itself is gripping, though perhaps a bit repetitious, and I enjoyed reading it even more than viewing it in the theater where I think I missed some of the nuance of the text. It is a story of tragic and terrifying implication, and the author maintains an appropriate sense of tension and dread throughout. I don't know if it would appeal as much to a reader without at least some background in twentieth century physics and the seminal roles played by the characters of the play. I think it is important to have a sense of the greatness of the physics developed by the characters, and the state of excitement those developments engendered in the physics community of that time. In particular, Bohr's principal of complementarity is discussed at some length, but without any explication of its import, and as it is a difficult enough (even ephemeral, almost) an idea to begin to grasp, much of the attempt to resolve the conflict central to the play becomes quite murky.Nevertheless, I found it a wonderful play to read ( though I must admit to being an aficionado of the history of modern physics) which paints a fascinating picture of two of the greatest men in the history of science, grappling with the most horrifying implications of the genie they have helped release from the bottle.
COPENHAGEN is a play that welcomes a reading. The structure of pure dialogue between the physicists, Heisenberg, Bohr and Bohr's wife Margrethe( who represents the non-physicists in the audience) lends itself to the closer examination the written word gives us. Michael Frayn brilliantly imagines a moment frozen in time- Heisenberg arrives from Germany in 1941 to discuss something with his mentor, Bohr in occupied Copenhagen. Seizing upon this historical event and its mysterious circumstances, Frayn recreates the event from a variety of perspectives in pursuit of a greater truth. Was Heisenberg a hero, who kept the Nazi's from achieving the ultimate weapon, or a victim of his own carelessness? Reading the play, gives you the time to reflect upon how creatively Frayn frames each of his scenarios. The dialogue is never less than challenging, even while playing to the audience surrogate, Margrethe. Frayn uses these two great minds to introduce the audience into the realm of advanced physics and the moral ambiguities involved in the mixing of pure science with the nature of war. The forced civility between the two men emphasizes the underlying current of terror created by the Nazis rise to power and the oncoming dawn of an atomic age. Frayn does not offer any easy answers, to do so would be an insult to the wonderful work that has gone on before. The postscript alone is worth the price of the book for any fan of the play. It sets up the historical context for the play's creation and gives the reader a much greater understanding of where Frayn came up with many of the issues he examines in this work.
Frayn's play deals with Heisenberg's mysterious visit to his friend and mentor Bohr's home in Copenhagen. At the time, Heisenberg was working on the Nazi's atomic bomb project. No one really knows what the two scientists talked about. Frayn takes this to the next level by having his characters (the two scientists and Margrethe Bohr) not be sure either. The play incorporates the Uncertainty Principle into its plot. The characters aren't entirely sure what happened or what their motives were.Frayn did quite a bit of research on the subject, which works to the play's advantage. At the centre of the play is a discussion of whether Heisenberg went to Bohr for help to achieve the Nazi's goals or for help in warning the Allies. None of the characters are clear cut and all have flaws and virtues. The science never bogs down the play and is kept uncomplicated and understandable to common people. To me, it actually enhances the plot.
The idea for the play was just that, brillant. It is about a wartime meeting between the physicists Niels Bohr and Werner Heisenberg when Denmark was under German occupation. Margrethe Bohr, the third character, allowed the two men someone to play against. The characters are "talking ghosts". While based historical record, each character's thoughts were beautifully written based on what had been happening in the world in which they lived. It revealed the moral dilemma both men faced, the influence they had and how they handled the lifetime roles that they were given. I will look for the movie of the play.
An infrequently produced play about a meeting between Werner Heisenberg and Niels Bohr during WW II. There are copious notes so that you can follow what is historical and what is speculation. Fascinating cat and mouse game as each tries to determine how much the other knows about making an atomic bomb. Definitely helps appreciation of this play to know some undergraduate-level quantum physics.
Thought-provoking, funny, eerie and sad. It portrays the conflict of scientists' curiosity vs conscience, as shown in the relationship of two great physicists (and one's wife) in the lead-up to and aftermath of World War II- but unexpectedly, the debates occur among the characters after their deaths! Awesome.
I'll never forget his novel =The Russian Interpreter=. Nor will I ever forget =Copenhagen=, which does a masterful job of melding human drama with physics. Niels Bohr is, as we know, a very likeable figure, but Heisenberg is not; but Frayn manages to give both of them the contradictions dramatic personae need. The Afterword, I must say, is equally fascinating, Frayn tracing the path to his play and detailing some of the physics referred to in the play. Brilliant.
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